MA Advanced Theatre Practice arrive at Bratislava airport for Project Istropolitana

MA Advanced Theatre Practice  company'Head of a Woman' arrives Bratislava airport

Pina Bausch

Tanztheater Wuppertal Pina Bausch: World Cities 2012 - Der Fensterputzer (The Window Washer)

Show Time: Three Days of Theatrical Experiments: Rich Mix- June 15 -17

Audience at Rich Mix

MA Advanced Theatre Practice: Work-in-progress Presentations: Steve Sargeant

Steve Sargeant and sound installation in the Atrium at Central School of Speech and Drama

Tanztheater Wuppertal Pina Bausch: World Cities 2012: ... como el musguito en la piedra, ay si,si,si ... (Like mosson a stone)

Summer Writing Project

Tanztheater Wuppertal Pina Bausch: World Cities 2012: Nur Du (Only You)

Walk Down - Barbican Theatre

What is the relation of each of these works to each city which inspired them?

Found this in the programme -

She (Pina Bausch) went on to point out how international the company was, and how many cultures were represented: 'We don't only travel - we ourselves are already a world of our own. And this world is constantly being enriched anew by encounters and experiences.'

In other words we can travel in order to draw out and stimulate aspects of ourselves which are already latent within us.

Tanztheater Wuppertal Pina Bausch: World Cities 2012 - Viktor

Upstairs Foyer at  Sadlers Wells  during the Interval

 First night of this extraordinary season. We start at the bottom of a black pit. Earth being shoveled in. Perhaps the longest darkest and most profound of all Pina Bausch's works. The only one in this season with Raimund Hoghe as dramaturg too.
How is it possible to assemble so many seemingly disconnected fragments into a great work?